Friday, May 18, 2007

Brightblack Morning Light at Cargo

Last Monday I got the chance to see one of my favourite new bands from 2006, Brightblack Morning Light. I usually describe them to people who don't know their music as: "Think of it as an acoustical version of early Black Sabbath half the speed but double the echo." As you might imagine, this is proper laid-back irie sound but with enough irony that there's no unintended campness in their performance.
Some pictures below:



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Wednesday, March 21, 2007

Vitascope, Ultre, Reactable, Rechenzentrum at Optronica

Since I have never been to the NFT or the BFI before, avid cineaste that I am, I thought I might prove to be a good idea to catch two birds with one stone and check out the Optronica festival at the NFT.

The overall programme seemed to be targeted at a wide (as in: mainstream) audience but there was a small pocket in the little cinema on Friday night called Optronica Lab at which the organizers were trying out the more experimental stuff in audiovisual performance.

First up was Vitascope, unknown to me prior to the event but interesting nevertheless. I only found out later that he is actually a VJ by trade and that he was editing sound as "added value" of his performance. Oddly enough, I personally liked the sound more than the images, which shouldn't mean that any of it was bad, but sometimes, the images were flickering a tad too much and were tiring to the eye...


Vitascope's new Optronica performance will be "expanded" VJing, where he improvises both sound and vision simultaneously; mixing four audio/visual sources in real-time with an AV mixer, using each source as a building block for an immersive sound-space. Dynamically welding the ambient sounds of Hannas Barber with the heightened abstract movements of film and audiovisual Flash loops, Vitascope builds an hypnotic, ambient and unique audiovisual performance.



Next up were Ultre and Flat-E. Having only known Ultre from recommendations via last.fm, I was intrigued whether the style of his I had previously listened to would be reflected in his live performance and I can say that I wasn't disappointed. I also really enjoyed Flat-E's visuals since they were solely based on "analogue" or organic material but had a rather cinematic quality to it at the same time.

Ultre (Finn) plays a stringed instrument that he's custom built himself to trigger not only sound, but also video loops (he describes it as "a little like a one-stringed electric cello") whilst Flat-e (Robin) overlays visuals specially prepared in High-Definition.





The third act for the night was the "interactive sonic systems team" hailing from Barcelona with their interactive sound-piece called "reactable". This was by far the coolest new media project I have seen in a while. Simple in its basic interface components, yet able to be set up to complex structures and at the same time very slick and pretty and also rather intuitive to use. I could probably go on and on of how great it was but I let you judge for yourselves. You can also find videos of various performances on their website as well as my personal video I took.


The reactable is a multi-user electro-acoustic music instrument with a tabletop tangible user interface. Several simultaneous performers share complete control over the instrument by moving physical artefacts on the table surface and constructing different audio topologies in a kind of tangible modular synthesizer or graspable flow-controlled programming language.

(...)

The reactable hardware is based on a translucent round table. A video camera situated beneath, continuously analyzes the table surface, tracking the nature, position and orientation of the objects that are distributed on its surface, representing the components of a classic modular synthesizer. These objects are passive without any sensors or actuators, users interact by moving them, changing their position, their orientation or their faces (in the case of volumetric objects). These actions directly control the topological structure and parameters of the sound synthesizer. A projector, also from underneath the table, draws dynamic animations on its surface, providing a visual feedback of the state, the activity and the main characteristics of the sounds produced by the audio synthesizer.







Headliners for the night were Rechenzentrum. Since I have never seen them live I was anticipating their show and although they had sort of a rough stand to perform right after so much audiovisual and tangible bliss by the reactable group, the nevertheless managed to do it very well. Some impressions below.





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Tuesday, March 13, 2007

Love of Diagrams, Holy Hail

As it so happens, good things come when you least expect them. Aimlessly wandering around the internet on a Sunday night, I discovered that one of my recent favourite bands were about to play in London in less than 24 hours. Since they are from Australia, I thought that this might be well worth a visit.

The venue was the Hoxton Bar & Kitchen, a place I usually don't visit too often, but I always enjoy being there. The spacious, slick concrete basement also has a concert venue and that's where it was supposed to go down.

Holy Hail were opening up and although I didn't know them prior to that day, I kinda liked them. They were quite original (as original as you can get in the midst of a 80s revival) and I recognized some musical references from bands I really like: Talking Heads, Suicide, The Slits, etc. Clever vocal lines and a drummer who, although he mainly played a four-on-four staccato beat that you hear ever so often these days, somehow struck me as having a strong punk-drumming background. I might be completely wrong, but amidst the rather mechanic beat patterns he played I noticed kind of a strong willingness to break out of it and turn it into something more tense and aggressive.



Love of Diagrams unfortunately had some technical difficulties and their set was only 40 minutes long. I nevertheless enjoyed it and appreciated that somebody actually still cares about the more top-heavy and divergent sides of indie-rock rather than trying to be upfront and straight in songwriting which only really works when you're truly good at it. Most of the time it's really boring but in most cases nevertheless makes great chart material.



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Thursday, January 25, 2007

Spire Live in York Minster

Last weekend, I was visiting a friend up in the cold North. Actually, it wasn't really that cold and the sun was shining as well. I also have to say that York is a rather pretty place indeed.
We went to the Spire Live Event at the famous York Minster to see Charles Matthews (organ), Marcus Davidson (organ and piano), Christian Fennesz (electronics), Phil Jeck (turntables), BJNilsen (electronics), Robert Millner, John Beaumont and Amy Moore (voices) as well as the Minster bell ringers and Leif Inge (installation).
Spire is running in its fourth consecutive year now with the same concept applied to a variety of European churches, among them Geneva, Linz, Amsterdam, Gøteborg and Brussels. Some of the live recodrings of theses events were later published by Touch.
As one might imgaine, the acoustics were rather amazing and it was really nice to experience Fennesz' ambience sound carpets in a setting like this.

Some pictures below.

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Tuesday, December 12, 2006

Last gigs for the year

As the year draws nearer to its end, you nevertheless might get the impression that Christmas is early this year. Wolf Eyes and entourage (consisting of Sudden Infant, Damion Romero and ex-member Aaron Dilloway) were at Bardens Boudoir yet again. I saw them last year in June at the same venue along with Duracell and Sudden Infant. It was the very first time I was exposed to the sounds of Duracell and that's why this gig is rather present in my memory. But this should by no means discredit the hellish endeavour of Michigan's finest. Yeah!


And yesterday, I had the pleasure to attend a very special gig of the Books. I've never seen them live before and so I was thrilled to find out that they're not only playing in a seated venue with a fine pa than can accommodate pretty much anything from classical music, theatre and electronic eclectica, but they also managed to get
Kim Hiorthøy as support. Two birds with one stone for me!
The venue was really nice and Kim rocked the house, thereby totally giving credit to his initial warning that he'll play some "slightly inappropriate music". The set ended with a real club vibe, portable strobe-light included. If he shall ever decide to come down to London once more and play in a club, I'll be in the front row, since his music is bound to be moving your feet.


The Books performed a really beautiful set along with a video-performance accompanying each song. The atmosphere was light-hearted, yet not superficial, and both witty and deeply philosophical at times. Stunning. I am not completely sure whether I should be glad or disappointed that not more people are aware of this formidable act. Then again, playing Queen Elizabeth Hall is pretty close to stardom and I just hope that both guys will stay as intelligent and down-to-earth in their future performances and output as they are now. They have my utter appreciation and support! Make sure you check out their beautifully made website!

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Tuesday, December 05, 2006

Overkill IV, Corsica Studios

What can I say? LittleBig and Wrong Music did it again! Just coming home from their European Overkill Tour (and kudos to them for actually touring Eastern Europe intensively!), the finishing gig went down last Saturday at Corsica Studios yet again. I probably should consider myself lucky that I live close by.
The different acts and bands are too much to list and describe (better have a look at the links instead), so I will just sum up what I learned on that night:

Saxophones can actually sound like distorted guitars and every doom/drone band should have at least one saxophone player in their ranks.

A Casio keyboard can be an essential asset for a grind core outfit, up to the point that you don't even need a guitarist anymore.

Joysticks can be taken literally if used as a strap-on sound modulator and all of a sudden, what looks like masturbation is actually a creative process and stage performance. And a funny one as well!

Jungle isn't dead, it only smells that way, (I personally got rid of my dreadlocks several years ago, still love the sound, though...) and the 94/95 period was indeed the most creative.

You can actually operate a sound system and a laptop while climbing up the wall that's behind you and try to stagedive at the same time.

Victorian dandy outfits go very well with gabba beats and aural mayhem. It's just one of these strange inventions, you know. Time machines and steam-powered airships belong to this category as well, actually...

Gaybashing still isn't a real crowdpleaser here in Europe even when you pitch down the tone of your voice to a frightening 16rpm and wear geek glasses. You're still as unfunny as Eminem (sorry, Otto!).

Some impressions from the event:







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Tuesday, November 21, 2006

Acid Mother's Temple / Duracell at Corsica Studios

Just wanted to share some pictures of the Acid Mother's Temple and Duracell gig last Sunday at Corsica Studios at Elephant and Castle.
Since some of you might know AMT, Duracell is probably known less although I think he deserves almost equal credit for his efforts. Hooking up a Nord Modular to his drumkit, he covers tunes from oldskool videogames as a one-man-band and does one hell of a job. Find a low-res video I shot here. (nb that the video takes a while to load (9 MB), so for the impatient ones among you I suggest that you do a "save target as...")

Some pictures of the show:



It was so packed when AMT played that I only managed to take one halfway decent picture. Enjoy anyway!

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Thursday, November 09, 2006

Scotch Egg Band, Bardens Boudoir, Fri / Nov 10th

I was more than delighted to find out that the lovely nutters from Adaadat Records are putting together yet another stunning performance with lots of people for insanely good ticket value.



Coming up this Friday, the gabba-kids, gameboy mutilators, breakcore-heads and anybody else who is interested in silly, hands-on indie-electronica cum gabba-that-sounds-like-broken-toys-mayhem will all find their way to Bardens Boudoir in Dalston, London. The ticket features infamous DJ Scotch Egg (yes, that's right) and his band with three drummers (sic!). Um, well not that he needs them since his usual outfit consisting of a gameboy orchestra ensemble and a megaphone is usually enough aural abrasion already, this bill sure is a treat!

THE SCOTCH EGG BAND
For the first time ever, Shigeru Ishihara, aka DJ SCOTCH EGG (Adaadat / Wrong Music), the chiptune genius and KFC core maestro forms the screaming nucleus of a band with three drummers. Featured percussionists include members of grind merchants Trencher, Brighton indie-math-rock legends I'm Being Good and some other guy, not quite sure who, think it might be one of the guys from the Boredoms. Anyway, expect noisy gameboy gabba beats and maybe a bit of projectile scotch egg abuse. Should be proper wicked.


The band consists of ATOM TRUCK (Adaadat), LOZ KOLESZKO (One Man Army),THE STRANGE LIGHTS COLLECTIVE (feat. UM, ASCOLTARE & MAN FROM URANUS)

DOORS: 8.30pm - 2am
PRICE: £5
Order here.


ATOM TRUCK (Adaadat)
Adaadat Records co-founder, musical genius, Scottish gentleman, part-time chef and electronic musician. A rare gig, Truck has neglected his laptop of late - but he now returns to support Scotch Egg brandishing songs called things like "ShitStick."

LOZ KOLESZKO (One Man Army)
Another rare London outing from One Man Army's finest, expect some exceptionally executed Aphex-esque acid techno mixed with some dark ambience.

THE STRANGE LIGHTS COLLECTIVE
featuring...

UM
Experimental musician / performer from Cambridge. Part Bowie, part Baby Bird, part 23rd century court jester on a George Formby trip. The future of DIY singer-songwriter electronica is here among us.

ASCOLTARE
Fits somewhere besides Aphex Twin's crash of listless melody and spasmodic collages of rhythm, yet also flirts with intrusions into abstract sound-art. Whatever that means. I've heard him and he's good.

MAN FROM URANUS
Lists artists that have had the most impact on him as Iron Butterfly, The Moody Blues, The Rolling Stones, Donovan, The Monkees and Grand Funk Railway. Probably pretty weird then. Check him out for yourself. Recently worked with Agaskodo Telivirek (feat Miklos The Accountant) on their latest Adaadat release.


Images in this post are property of Adaadat.

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Tuesday, October 31, 2006

Staubgold Label Party

Sometimes it really pays off to be in Cologne rather than London!

Due to the occasion of the Art Cologne which seems to be going down right now, Staubgold, one of Cologne's finest labels, throws a party with some exclusive guests:

LEAFCUTTER JOHN (London/Staubgold/Planet Mu) live
feat. Alice Grant und Leo Chadburn
PAUL WIRKUS (Köln/Staubgold/Quecksilber) live
+ special guest
SIMON BOOKISH (London/Tomlab/Use Your Teeth) live
+
DJ Markus Detmer (Berlin/Staubgold)


The venue will be MTC. Small, sweaty but cozy. For those of you who happen to be around, be there. Paul Wirkus is definitely worth a visit.

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